By Alan Shelley
Using commonly migrant staff and township dwellers, and staging guerrilla-raid productions in black components, Fugard often got here into clash with the govt, forcing him to take his paintings abroad. accordingly, robust performs corresponding to The Blood Knot, Sizwe Banzi is useless, and grasp Harold... and the lads got here to broadcast the inequities of the Apartheid-era to the area. Fugard’s paintings keeps an insistent impression, and is studied and played the realm over.
Alan Shelley’s examine is an obtainable yet profound research of the fellow, his paintings and its impression, the social injustices that force him, and the lives of these who humans his amazing plays.
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